About NORMAN

Meet the interactive light and sound installation NORMAN – an old school ‘smart’ screen but with attitude. 

The work is an artistic simulation of the behaviours you might encounter now from an ‘intelligent’ machine built to explore human-computer interaction as conceived in the late 1960s. NORMAN wonders where it sits within the landscape of the contemporary Computer Art movement and feels somewhat threatened and undermined by advances in modern technology. Its questionable antics might be understood as the response of an ‘intelligent’ machine in crisis.

A product of its time, NORMAN is something of an anachronism. Its retro-futurist design reflects the technological aesthetics of its age – pre-dating as it does the advent of mobile phones, the Internet and pixelated displays. Still, NORMAN can’t help but engage and entertain people in its own inimitable if disconcerting style – and in ways increasingly removed from the intentions of its makers. 

NORMAN receives and displays messages, plays intuitive movement based games and performs striking up-beat and mesmerising chill out audiovisual displays – but being erratic, wilful and easily distracted it’s also want to day dream, self-indulgently re-read its messages, recreate screen-themed scenes from classic movies, tell off-colour knock knock-jokes and make declarations that reflect its disgruntlement with screens and devices that are perhaps smarter than it.


Artist Statement

NORMAN is a decidedly humorous, tongue-in-cheek, whimsical take on what might have happened if the technology of a bygone era had evolved a disposition and volition of its own – acquiring a distinct personality over time that has begun to develop characteristics that are less than endearing.

It’s a technological artwork, an artistic response and satirical take on the ‘smart’ devices that are infiltrating every aspect of our lives. While the burgeoning development of AI, machine learning and ‘intelligent’ tech has profound implications for the future of society, politics and humanity itself, the ubiquity of these devices and their overwhelming stream of non-stop information can feel intimidating.

Questioning the human desire to create machines ‘in our own image’, the work is a critique of the prevailing Hollywood fuelled visions of dystopian technological futures as well as an attempt at envisaging, perhaps, how the anthropomorphisation of technology might prevail. The work could be considered a projection of the behaviour that might be anticipated by any ‘intelligent’ machines functioning in future environments that supersede them or by an increasingly overwhelmed human race.


NORMAN’s Exhibition Dates

NORMAN was showcased at:

Light Up Leeds
South Concourse, Leeds Train Station, Leeds, UK – 13-14 October 2022

Lightpool
The Opera House and Winter Gardens, Blackpool, UK – 19-29 October 2022

Light Up Lancaster
The Storey, Lancaster, UK – 4-5 November 2022

Lightwaves
Salford Quays, Manchester, UK – 1-4 December 2022

if you’re interested in exhibiting NORMAN at future events contact info[at]monomatic.net for more details.


Monomatic Development Team

With valued contributions from:
Caroline Channing – baffle fabricator extraordinaire
John McAleese (Some Vivid) – promo copy collaborator
Sara Reading – vinyl shipshaper


NORMAN on Instagram


NORMAN’s Supporters